WHEN she breezed into Manhattan last week, Zandra Rhodes had shed some elements of her operatic style. Her fuchsia hair, which she tends to wear upswept in a chopstick-anchored bun, was straight and fastidiously groomed. Her eyebrows, crazy semaphores that she sometimes pencils in like arrows, were
WHEN she breezed into Manhattan last week, Zandra Rhodes had shed some elements of her operatic style. Her fuchsia hair, which she tends to wear upswept in a chopstick-anchored bun, was straight and fastidiously groomed. Her eyebrows, crazy semaphores that she sometimes pencils in like arrows, were conventionally shaped. And her eye shadow, which she applies in a rainbow-colored medley, was confined to two or three tints of blue. The first thing I said to her, recalled Ed Burstell, an executive at Bergdorf Goodman, where Ms. Rhodes had paid a sales call, was, Zandra, youve calmed it down.
Source:www.nytimes.com
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